soundslikenovocaine
Emelie Flower / 19 / Indiana
Filmmaker/ Writer / Artist
soundslikenovocaine
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amajor7:

WWWWD.
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Photos from a lazy Sunday with the roommate.
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asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
asylum-art:

Lai N. Nguyen
on Behance | Carbonmade
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nyctaeus:

18th century Indian dagger with sheath, made with steel, shark skin, jade, gold, ruby, emerald, sapphire and silver. In the collection of The Metropolitan Museum of Art.
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love-all-the-things:

EDEN II by Carlos-Quevedo
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asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper
asylum-art:

Sculptures and Paintings by Kim Kei
Kim Kei lives and works in Los Angeles. Her process begins with combining and altering everyday objects and natural debris. These malleable sculptures are photographed in several iterations, which become the foundation for her paintings. Her intricate, improvised compositions exist somewhere between representation and abstraction. Her work is a departure from the figure as a form, yet in its absence the body is implied.
1. Mimesis 1
2. Mimesis 6
3. Mimesis 24. Mimesis 3
5. Mimesis 5
6. Mimesis 4
7. Now Afloat, She Unfolds Watermedia and oil on paper mounted on panel 12″x18″
8. She Knew She Would Unwind12″ x 18″ watermedia and oil on paper mounted on panel
9. They Let it go, Let it Rise  Watermedia and oil on paper mounted on panel 16″x 20″
10. Into The Air with Two Ideas 20″ x 30″ watermedia and oil on paper